Sarkar 3….Bahubali 2…God save our souls

I had the privilege… sorry, misfortune…of seeing Bahubali 2 and Sarkar 3 on consecutive days. Pl do not get me wrong: the problem is not in the sequencing of the movies. Even the reverse sequencing would have been equally disastrous. The fundamental problem was with the movies themselves. Allow me to explain.

Bahubali 2 was 2 hours and 47 mins of inane violence. And all with archaic bows and arrows, and maces and swords. There were black masked warriors and shamans, and there were kings and courtiers : all sound and fury signifying nothing; and meaning even less. The first part Bahubali the Beginning was majestic in its’ grandeur and sets. That advantage was already lost. So why make Bahubali 2? Only to declare why Katappa killed Bahubali? Even that explanation falls flat and comes across as a damp squib. In fact, by that time if Katappa had not killed Bahubali, I am sure that anyone in the audience would willingly volunteer to do the good deed, as you just want to leave the cinema hall and go home!!

The warning bells are already ringing as the son of Bahubali, Mahendra Bahubali is now old enough and is raging war with his uncle and grandfather. A cold sweat breaks on your brow: does this mean there will another Bahubali Part x, y or zee? Then to your relief you remember this one is called Bahubali The Conclusion. So hopefully it stays concluded. If not I am sure I will not buy a ticket and go and see another Bahubali. The saving grace in the movie was the characterisation of Bahubali’s wife Devasena (played ably by Anushka Shetty). She is shown as a fiercely independent and outspoken woman, with a mind of her own. She is challenging of the past norms and ready to act quickly and firmly when required. Even with little screen time she makes a deep impression and remains in your mind after the horror of the movie is behind you. Hope some of our modern day heroines emulate Devasena.

Bahubali 2 The Conclusion will remain in my memory as a great exercise in marketing. The fact that it earned 120+ crores in its’ opening remains for me an enigma. It only reminds me of the famous Big B reply. He was asked why cant we make films like Hollywood and apparently he replied : why don’t you ask why Hollywood can’t make films like us. In this regard I am sure Bahubali 2 will be a mark which just cant be surpassed!

I also saw Sarkar 3 today. 2 hours 12 mins of smoldering glances, deep looks and dark, angular shots. 2 hours 12 minutes of inane violence. And all with guns and pistols and machine guns. ( why does this sound familiar? ) Ram Gopal Verma’s camera work and shot composition is unique to say the least. Most time there are long shots against the light, or camera from behind vases and bed posts, between tables and chairs, between the logs on a funeral pyre and from the back of a dog’s statue, if you will!! Is this supposed to be arty? or is the director playing with your mind? Imagine what you will, as i will not show anything clearly and directly, seems to be the style.

The story moves in fits and starts and though there are stalwarts like Supriya Pathak, Manoj Bajpayee, Rohini Hattangadi, Jackie Shroff, Ronit Roy etc you gather a deep impression only of the inimitable Big B and Amit Sadh. But even the fabled Amitabh presence cannot save the film from falling flat. Neither does the story line grip you nor does the fight sequences. In fact in the gun fights you keep wondering who is shooting at whom and from where : the shooting outside the Courtroom when Manoj is shot or in the restaurant when Amit is being shot at are cases in point. The shooting during Ganapati Visarjan only creates an impression of confusion and free for all melee.

Except Sarkar’s character and that of the grandson Chicku there is no scope for Yami Gautam or Jackie or Rohini to make any impact at all. The earlier films Sarkar 1 and 2 seem to have taken so much out of RGV that he seems to be fresh out of story line, depth or continuity. In the one joint scene between Manoj Bajpayee and AB, Manoj holds his own very well. But as though to maintain a balance, RGV promptly gets Manoj shot off. More light, more story, more characterization, more fluidity in the story unfolding could have done wonders for the film. Insipid, dreary, boring, flimsy, and shallow are the adjectives that come to mind as you walk out of the cinema hall.

To conclude : don’t see the film unless you are a die hard AB fan and are ready to watch him in any and everything. Save your money for Sarkar 4 where the great (grate?) RGV may come back with a more gripping story. Apparently,”avoid Sarkar 3″ was known to the world at large already: we were just 8 people in Cinepolis on the first day, for the over hyped Sarkar 3.

Keep the faith, and we will get to see better cinema: vikas

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